Default 0.8 - works for most green-screen footage.
Drag each slider to compare the source plate with this tool's processed result. These samples cover eyeglasses, visible green spill, fine hair, and an uneven screen; your result will depend on the source footage.
This sample includes a subject wearing eyeglasses. Compare the source and processed clips to see how the transparent result looks before bringing similar footage into your own composite.
This sample has green reflected around the subject. Use the before-and-after view to judge the processed result against the kind of plate you receive.
This close-up puts fine hair against the backdrop. Compare the two clips at the displayed size before deciding whether the automatic result fits your shot.
The source includes wrinkles and uneven illumination. The comparison shows the result produced for this specific clip, without implying the same outcome for every setup.
When a green-screen plate arrives, use the video chroma key remover to create a transparent version before the footage moves into the rest of the edit.
Upload an MP4, MOV, or WebM plate and start the automatic background-removal pass. No key color picking or complex chroma key setup is required.
Download the processed clip with transparency and bring it into the timeline where the rest of the project already lives. Review it against the intended background and handle any shot-specific finishing in your editor.
Use transparent WebM for web, streaming, or lightweight editing workflows. Choose ProRes 4444 MOV when the keyed plate is going into a professional editing or compositing timeline.
Use the video chroma key remover for the automatic removal pass, then continue placement, timing, grading, graphics, masks, or cleanup in Premiere Pro, After Effects, DaVinci Resolve, OBS, CapCut, or another alpha-compatible editor.
Upload the plate, run the automatic video chroma key removal pass, then choose the alpha format that fits the rest of your workflow.
Choose an MP4, MOV, or WebM clip. Use the best source available; lighting, subject separation, motion blur, wardrobe, and compression can all affect the processed result.
Start processing. The tool creates a transparent version of the clip without requiring you to configure keying controls in the browser.
Download a transparent WebM or ProRes 4444 MOV and place it directly in your editor, compositor, or virtual production scene.
When green-screen footage reaches the edit, the immediate job is usually the same: create a transparent asset that can move into the timeline and support the required deliverables.
A creator sends green-screen takes for reactions, tutorials, picture-in-picture segments, or short-form cutdowns.
Create a transparent source, then build the editorial versions in your usual NLE. You can focus on pacing, framing, captions, graphics, and 16:9, 9:16, or 1:1 reframes instead of setting up the initial removal pass for every deliverable. Review the processed plate against the final backgrounds and do any shot-specific finishing in the timeline.
Upload Chroma Key FootageA presenter needs to appear over slides, screen recordings, whiteboards, or courseware across a series of lessons.
Prepare transparent presenter clips before assembling the lessons. Keeping the presenter separate from the slide or screen-recording layer makes it easier to maintain consistent framing, update course visuals, and build revised or localized lessons around the same approved take. The final grade, placement, and any plate-specific corrections remain in the course edit.
Upload Chroma Key FootageA training package includes several presenters, modules, and branded layouts that need to stay consistent through revisions.
Convert the green-screen recordings into transparent presenter assets before they enter the template. Editors can then standardize framing, lower thirds, brand graphics, and slide placement across the series while keeping the source performance separate from layouts that may change later.
Upload Chroma Key FootageA presenter or product take needs to work across seasonal campaigns, brand layouts, storefronts, and localized versions.
Prepare the performance as a transparent motion layer, then compose each campaign version in the editor. The same approved take can sit beside different product imagery, pricing cards, typography, or backgrounds while the editor controls scale, timing, color matching, and any finishing required for the final placement.
Upload Chroma Key FootageA green-screen plate is blocking the rough composite, editorial review, or handoff to the finishing artist.
Generate an automatic transparent version for the edit or first composite, then assess it in the context of the shot. Bring the asset into After Effects, Premiere Pro, or DaVinci Resolve for tracking, integration, grading, masks, or additional key work when the plate and delivery standard require it.
Upload Chroma Key FootageA presenter needs to sit over a virtual set, data view, screen recording, or branded graphics package.
Create a transparent presenter version for the graphics workflow, then finish timing, safe areas, captions, lower thirds, and layout in the broadcast edit. Keeping the presenter separate makes it easier to revise the information layer or switch the surrounding graphics without changing the recorded delivery.
Upload Chroma Key FootageVideo chroma key removal costs 6 credits per video second. Choose a credit pack based on the total footage you plan to process.
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Formats, footage, and workflow details editors ask about before using the video chroma key remover.
Yes. Export a WebM with transparency or a ProRes 4444 MOV with a true alpha channel. Both formats carry the keyed subject without a replacement background, so you can place the clip directly into Premiere Pro, After Effects, DaVinci Resolve, OBS, CapCut, or another alpha-compatible workflow. Add the new background underneath the clip and continue with positioning, grading, graphics, and timing instead of rebuilding the key.
The tool creates a transparent version of the uploaded green-screen clip. The before-and-after samples on this page show the results for those specific plates; they are not a guarantee for every shot. Lighting, distance from the screen, green wardrobe or props, motion blur, compression, and the intended background can affect what you see. Review the processed clip in context and use your editor for any shot-specific finishing the project requires.
Even lighting and clear separation between the subject and screen give the automatic pass more useful source information. Green clothing or props, strong reflected green, motion blur, heavy compression, and shadows that merge with the subject can make a plate more demanding. The comparison samples include several common conditions, but evaluate your own processed clip against its final background before delivery.
Upload MP4, MOV, or WebM footage. After processing, download a transparent WebM for web, OBS, or lightweight editing workflows, or choose ProRes 4444 MOV for a professional editing and compositing timeline. Pick the format that matches the applications and delivery requirements in the rest of your workflow.
Light the green background as evenly as practical and keep some distance between the subject and the screen. Avoid green wardrobe or props, limit motion blur where possible, and upload the best-quality source available instead of a heavily compressed copy. These choices give the automatic pass better source separation, but you should still review the processed clip against its intended background.
No. The video chroma key remover runs online, so you can sign in, upload the plate, process it, and download the transparent result without installing a keying plugin. The exported WebM or ProRes 4444 MOV then moves into your existing editing or compositing setup, where the rest of the project already lives.
Video chroma key removal costs 6 credits for each second of footage processed. A 10-second plate uses 60 credits. Choose a credit pack based on the combined duration of the clips you plan to key, which makes the cost easy to estimate before you upload a batch of presenter, product, broadcast, or VFX footage.
Upload the plate, create a transparent version, then continue compositing and shot-specific finishing in your editor.